Contralto es la voz femenina más grave, y destaca por la rica sonoridad y amplitud de su registro grave. El término también se usa como sinónimo para la persona que canta con esa voz.
Algunos videos de contraltos:
Mariana Pentcheva, Un ballo in maschera, Verdi
Kathleen Ferrier, Ombra mai fu, Händel
Elina Garanca, I Capuleti e i Montecchi, Bellini
Algunos de los papeles para contralto más importantes en ópera son:
- Angelina, en La ceneréntola (Rossini).*
- Art Banker, en Facing Goya (Michael Nyman).
- Auntie, dueña de la taberna The Boar, en Peter Grimes (Britten).*
- Azucena, en Il trovatore (Verdi).*
- Bradamante, en Alcina (Händel).*
- La baronesa, Vanessa (Barber).
- La cieca, La Gioconda (Ponchielli).
- La condesa Helfenstein, en Matías el pintor (Paul Hindemith).
- Cornelia, en Giulio Cesare (Händel).
- Didone, en L’Egisto (Francesco Cavalli).
- Erda, en El oro del Rin, Sigfrido (Wagner).
- Fides, en Le prophete (Giacomo Meyerbeer).
- Madame Flora, en The medium (Gian Carlo Menotti).
- Gloria Mills, en Axel an der Himmelstür (Ralph Benatzky).
- Katisha, en El mikado (Gilbert y Sullivan).
- Klytemnestra, Elektra (Richard Strauss).*
- Madre, en The consul (Menotti).
- Madre Goose, en The rake’s progress (Ígor Stravinski).
- Magdalena, en Rigoletto (Verdi).*
- Malcolm, en La dama del lago (Gioacchino Rossini).*
- Mama Lucía, en Cavalleria rusticana (Mascagni).
- Margret, en Wozzeck (Alban Berg).
- Mary, El holandés errante (Wagner).*
- Olga, Eugenio Oneguin (Chaikovski).*
- Orfeo, en Orfeo ed Euridice (Gluck).
- Lel, en La reina de las nieves (Nikolái Rimski-Kórsakov).
- Little Buttercup, en H.M.S. Pinafore (Gilbert y Sullivan).
- Lucretia, en La violación de Lucrecia (Britten).
- El noble Orsini, Lucrezia Borgia (Donizetti).
- Pauline, en La dama de picas (Chaikovski).
- La principessa, en Suor Angelica (Giacomo Puccini).
- Mrs. Quickly, Falstaff (Verdi).
- Rosina, en El barbero de Sevilla (Gioacchino Rossini).*
- Ruth, en The pirates of penzance (Gilbert y Sullivan).
- Ulrica, en Un ballo in maschera (Verdi).
- Una mujer enferma, en Moisés y Aarón (Arnold Schoenberg)
- Widow Begbick, en Ascensión y caída de la ciudad de Mahagonny (Kurt Weill).*
Cas molt interessant i totalment d’acord amb els teus comentaris. Salutacions Leandre
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